Ciak… Si Cinema! - “Again, as Bush is close, with much lighter hand, the pathetic.”
Ciak… Si Cinema! seems to like the movie… but not as much as I’m liking Google’s translation! Those who have seen the film will doubtlessly agree that :
“The Unforeseen unleashes a new deadly blow to the United States.”
That one may need to make the movie poster!
After Bush by Michael Moore, The Unforeseen unleashes a new deadly blow to the United States revealing another face of the American dream.
Produced by Terrence Malick and Robert Radford at the heart of the issue this time is building.
Building, expanding to spread fast and without policy destroys the natural world, polluter seriously threatening life in the not too distant future. The trend is conceptually quite good linear managing the dichotomy nature / progress (so dear to Malick), inner spirituality / god money. However, the film manages to cope well in maintaining a high level of attention and indignation of the viewer through flashbacks, images repertoire of challenges, direct interviews with concerned citizens for and against the new buildings, builders, lobbyists, lawyers.
The scenario is Austin, Texas, but a well-thought could be anywhere. The objective is once again a side of the world where American not many Americans are proud of: the value of any sacrifice in the name of profit.
The water source is the great protagonist: pure and limpid shown to Titan 90s, opaque and dirty in 2004. It is called an oncologist to explain what happens when a tumor develops. As we all know cells reproduce so without excessive longer a rule. In the memorable phrase of this development is shown irregular superimposed a map of project construction.
Again, as Bush is close, with much lighter hand, the pathetic. Children in their innocence are called to represent the victims, sentenced to serve all the destruction that our irrationally proceeding leave their legacy. Overall, a good documentary complaint that has as most important item in person Robert Radford, whose pain clearly seen for the irreparable damage caused to one of the most beloved of his childhood.